Monday, February 4, 2008

Two Sisters


I stole this idea from a seductive little pop song I heard last summer. One recent Saturday night, I finally committed to crafting a painting out of this crazy song- the sheer farce of it deserved a certain whimsy of style, and I drew directly onto the watercolor paper with the brightest oil pastels in my box without a single line of preparatory sketch, finishing up early the next morning with acrylic paint. Working in such a slipshod fashion, my hopes were that the comical absurdity of it all would be captured in the immediacy of my approach, garish choice of color, and ridiculous characters. It certainly drew some chuckles from the inside circle, so I hope it tickles you, too- I had a good time with it. Sex and danger with a dash of comedy!

Thursday, January 31, 2008

Daughter


“Daughter” is really the last painting I worked on in 2007. It’s one of my magazine collage/acrylic combos, an approach to painting that I began experimenting with around 2005.  I found the pictures of both the girl on drums and the old man painting in front of his garage among separate ads in whatever magazines were lying around, and they wound up pasted to a piece of paper together with acrylic medium in my studio. Months later I accidentally discovered this unfinished collage among my clutter, and resumed work on my forgotten child. I am both a musician and a painter, so it’s little wonder I  chose them as potential characters and they ended up together: the father admiring the progress of his careful attention and encouragement. The great surrealist Marcel Duchamp once said that if an artist marries or has children, he is unwisely dividing his focus and attention on achievement, that one cannot create great art of with one foot in familial commitment, and the other submerged in the filthy business of uncompromising vision. I don’t know if Duchamp had children, but he was a merciless champion of modernity, and a professional smartass, which I admire in a man.

Thursday, January 3, 2008

Eiffel Tower in the Snow


I painted this little Eiffel Tower in the snow for my Mum. Every year in the weeks just before Christmas, I agonize over what to do for her- I mean, what gift do you give the woman who gave you life!?

My mother is an outstanding individual, and is probably the primary factor in my becoming an artist- we visited the St. Louis Art Museum many times in my youth. Mom didn’t just push us through- she had favorite pieces (Degas’ Little Dancer was at the top of her list), and we would talk about what we both liked. She was raised a farmer’s daughter in the bootheel of Missouri, picking cotton with her sisters, and grew up to be a superbly learned educator in Foreign Language, acquiring her Masters Degree in the middle of her life- a time when most have forgotten their dreams of achievement. She has traveled the world, even taking her high school French students to Europe- how many high school teachers have been able to pull that off? I would bet the number is low, nationwide. If I’d had a brain in my head, I’d have learned French while under her roof all those years ago, sitting at the dinner table with the best French teacher in Missouri. But music and art ran through my veins at an early age, and creativity took me down a different path…

The day I began painting this little Eiffel Tower, it snowed all day, and so I crafted it snowing there in Paris. A tiny snowglobe in my imagination of a place I’ve never been, of a place my mother probably dreamt of as a little girl- a dream that came true.

Thursday, November 8, 2007

Nelly


Nelly
acrylic, colored pencil on paper
2007 CM Shaw

Tuesday, October 23, 2007

Golden Child





















Golden Child
acrylic, oil pastel on paper
14 x 18"

Sunday, September 16, 2007

Temptation


“Temptation” is a pretty little thing, I thought- my Mum loved it, too. It is typical of my style, but unique at the time I made it for two reasons: one being my use of collage elements mixed with figure painting, then new to my oeuvre, and secondly, my use of gessoed tissue paper to create a leaf-like texture on the surface of the board (which I’ve not used since). Obviously inspired by the “Garden of Eden” story featured in the Genesis chapter of the Bible, the subject reaching cautiously for the apple in the tree is encountered by a serpent, slithering down from the branches, setting a disquieting scene. Temptation is a real thing; we all assess the risks in things we do from time to time- should I just because I can?

My deepest gratitude to my patron, Miss Weaver-

Thursday, August 16, 2007

White Zin Grin


My mother has a rooster motif going on in her kitchen. While this sounds unoriginally rural, she has some very artful poultry among the bric-a-brac adorning the walls and lining the tops of the cabinets, including a few paintings I made her of roosters engaged in human activity. These make her laugh, and I enjoy a little comedy with my painting from time to time. I whipped out "White Zin Grin" in a couple sessions as a gift for Mom's recent birthday- a nod to both her kitchen theme, and love of sweet rosé wine made from zinfandel grapes. While I'm certainly not the first artist in the world to anthropomorphize a rooster, something felt really familiar about this one's bemused look as I began painting him. I couldn't put my finger on it until after I had hung the silly thing in her kitchen, when the realization sunk in how much he resembled Foghorn Leghorn... can't I do anything original?