Friday, February 26, 2010

Show at Concrete Ocean, March 19th


The News is Good- showing in the city on March 19th at Concrete Ocean Art Gallery! Bryan Pease asked me to participate in a group show there last July, and it was a success, so I have high hopes for the March 19th show. The talented Jeff Sass will be sharing the bill with me, AND there will be a guest appearance by my acoustic group, The Good Medicine Revival Show- should really be fun! Mr. Pease throws the best shows at Concrete Ocean; I am honored to work with such a great gallery. I will be showing a retrospective of mixed media works from the last six years of painting in Saint Louis, some of which have never been shown in public, all of which will be for sale at great prices- time to clean house!

Pictured in my flyer:
“Slippery Day On the Parkway”, 2006
collage and acrylic on masonite, 8 x 10”

Tuesday, February 16, 2010

Monday, February 1, 2010

Batman

"Batman"
acrylic on canvas, 11 x 14"


When I was young I wanted to be a comic book artist- as a high school student, I even submitted work to the major titles. The letters I received in return gave the standard advice, “Your work looks good, Mr. Shaw! We strongly suggest you attend college for art, and take as many drawing and illustration classes as possible.” Greatly encouraged by this I did just that, if in fits and starts. Though after a semester of undergraduate art courses, I soon forgot about my unrealized childhood ambition, having my eyes opened to the wide and varied world of Art History. The mythic chronicles detailing the lives of Picasso and other modern art giants in my textbooks captured my expanding imagination and intellect now- caped crusaders were left in the awkward clutter of adolescent artistic growth.

When offered a commission to paint Batman recently, my patron flirted with apology in her request, “I realize you do your own thing with art, but I keep seeing the Colin version of this in my head, and I like what I see… know it’s cheesy, and if you don’t want to, it’s cool.” She wasn’t too far off the mark due to the fact that I never really abandoned the punchy colors, graphic styling, and narrative/storyline approach to my artwork- it’s themes matured, but the urgency and drama was never diminished. Mired in the Winter of Our Discontent, I accepted the job and banged out a small painting of The Dark Knight Detective on an odd day off- something fun to chase off the doldrums. It seems mildly ridiculous, and I won’t be winning any major awards for it, but it was *laughs* too weird for me to pass up.

I painted my old subject in acrylic on a piece of canvas (as I would any “real painting”) after some internet research on Batman’s costume variations, and had a great time re-imagining his outfit. Wanting to pay homage to the character’s “Golden Age” as well as modern reinterpretations, I used some elements of the more recent body armor outfit construction mixed with the shorter ears and gloves/longer shorts prevalent in the winged vigilante’s earlier incarnations. Here in my little portrait our hero carefully takes aim with a “Bat-a-rang”, bleeding from the leg/hip in fiery chaos, his trained inner calm ignores mortal instinct. I always enjoyed the grim nature of Batman, the romance of his character’s solitude, and the very human/vulnerable quality- he could be injured or killed, making him somewhat believable. Somewhere beneath his cowl, under his furrowed brow and angry heart is a hurt and abandoned little boy who wanted justice in the world, even if he had to dress up like a monster and violently wrench it out of the world with his own hands. His incredible popularity over the span of many decades speaks voluminously of both the heart of mankind and the mystery of popular culture- people have great capacity to be selfless and brave in the face of danger, simultaneously our society is also obsessed with violence and sometimes let our inner demons get the best of us, arguably more now than ever.


Batman on the worktable *laughs* breaks for a bass solo! Thanks DJ for the photoshop job, very funny!

Framed drawing of mine from school days that a friend shared with me when I told her about the Batman painting- forgot about this one!

Monday, December 28, 2009

To Give Is To Receive


Another Christmas has come and gone- the older I get, the faster the holiday season seems to come and go. I personally created some of my gifts for loved ones again this year- the time and concentration spent on these little projects are a personal meditation on the recipient for me, our relationship, love, and shared memories play over and over in my mind during the long, late hours during the weeks I work on my gifts. A lot of folks whip out their credit card at North Face, Macy’s, or Ikea to give at this time of year, but I wanted to give a little something that doesn’t come with a gift receipt- a small part of myself. I am very grateful for my loving family- while I’m a nobody in the World of Art, they think I am (laughs) Pablo Picasso! Having them all together for a picture with their new paintings was the best gift a man could ever receive. I love you always- Charly, Mum, Myles, & El.


"Untitled" (four: pink, bronze, silver, and cobalt)2009
acrylic, mixed media on canvas
11 x 14"



Sunday, December 6, 2009

Artist's Statement. Dec. 2009

"Secret Marriage" 2009
acrylic, chacoal, glue, magazine scraps on canvas
16 x 20"

Artist's Statement
For well over a decade my painting has been the real work of my life. My paintings are about color and design, materials and methods, exploration and experimentation. Many of these paintings are about the deep and unseen parts of the individual; they are about the hearts of men. A very personal language of sorts has begun to evolve inside this work- pictograph forms that return throughout, themes recur as well. If the simple vocabulary of my work can deepen the viewer's sensitivity to the subjects of my paintings, perhaps it will ultimately bridge the emotional gap of our detached society. Much can be learned from small beginnings, in which our most basic, initial understanding of one another can form our greatest appreciation for each other. I am most convinced of this when on occasion someone narrates the story of one of my paintings to me upon viewing- they are really telling me their own story. Soon we are exchanging ideas, learning about each other, and so it begins… what was my painting has now become a small part of us together.

CM Shaw, December 2009

Saturday, December 5, 2009

Rubbermaid Pliers

"Rubbermaid Pliers", 18 x 24", oil pastel/acrylic/ink pen on paper


Here's the "hand tool" drawing I had to complete for my portfolio review at an esteemed university I had been looking into. Sadly, this school isn’t going to be a good fit for my academic or career goals for a variety of reasons I won’t go into. More discouraging is the resigned fact that I may never get the opportunity to study under a much admired painter teaching there that could very probably helped propel my painting to a whole new level. Such is life. While I am disappointed, I did receive some kind and sincere counsel from my advisors, brushed up the resume/professional references, & made what I felt was a nicely organized portfolio. I also had a great time drawing this hand tool…

The nice gentleman that was utterly confused when viewing my ANCIENT college transcripts at the portfolio review perked up when he saw my drawing- this made me feel a little proud. I enjoyed the project and was pleased with the result. “Was Jim Dine a big influence on you?” he asked. While genuinely admiring Mr. Dine’s work, I had ironically/comically neglected to think of him while drawing the pliers. In reality, I had not thought of Jim Dine in awhile. His robes, and his Jerusalem plant captured my younger undergraduate imagination better than his hand tool work so many years ago for whatever reason...
More conceptual ideas came to mind regarding the required hand tool drawing for my portfolio review, but while learning to draw these pliers I began to really appreciate what spurred my consumerist impulse in the first place. I've always liked these little Rubbermaid pliers- the blue rubber handles w/the red "Rubbermaid" stamp at the end turned me on; while small and deceptively common, I found the visual impact of them charming. What can I say- NICE DESIGN! I'm weird like that- I have a Converse shoebox I can't throw away 'cause it's too well designed (the grommets punched in the box that echo the hallmark feature of the package’s goods are great)! I knew I was done with the pliers drawing when I started throwing red paint at it this past Wednesday night, which gave it a somewhat gruesome new dimension... aren't ya glad I'm not your dentist? My seven year old niece Charly might giggle at that- poor baby was still trying to shake off a stubborn baby tooth at Thanksgiving! So Cute! Love!


The hand tool in question...


My 2nd preparatory sketch for the finished hand tool drawing...


Superiorly designed Converse packaging I cannot bring myself to part with- Excellence, I Say! Wore the shoes twice...


Charly-Boots...

Wednesday, November 25, 2009

Fox and Hare

"Fox and Hare" 2009
acrylic, chacoal, glue, magazine scraps on canvas
30 x 40"

(detail)